LA PREPS FOR FREE SEED DAY Since we first sat down with Masonic Smoker back in early 2021, he’s continued his rise on the genetics scene, locals might argue one of their favorite Masonic impacts on the community in those two years is Free Seed Day. This year, Free Seed Day will take place on…
LA PREPS FOR FREE SEED DAY
Since we first sat down with Masonic Smoker back in early 2021, he’s continued his rise on the genetics scene, locals might argue one of their favorite Masonic impacts on the community in those two years is Free Seed Day.
Now one of the most significant events on the calendar for Angelino cultivators, the event initially got its start as an homage to Free Comic Book Day. Before the pandemic, Masonic had been participating in Free Comic Book Day for a decade.
“I was hanging out at my store and then Free Comic Book Day is usually on the first Saturday of May, but because of COVID they kind of messed it up,” Masonic told L.A. Weekly. As he sat in his shop dealing with the FOMO of missing out on the rescheduled festivities, the idea popped into his head. “So it all kind of came to fruition there when I was doing FOMO on previous comic book days, I made my own Free Seed Day, and here we are.”
Masonic went a bit more into the development process for that first incarnation of Free Seed Day. He noted he is generally pretty off the cuff. When he saw a solid response to the feelers he was putting out there about the idea he knew he was on to something.
“Then I also went out of my way to shamelessly ask some of the bigger names in the seed industry to chip in on the day, and as soon as Exotic Mike said he was down with it, everyone else kind of followed suit,” Masonic told L.A. Weekly.
When asked if getting the big name early helped set the course, Masonic said at the moment it helped a lot. But people were also receptive to his argument people would be helping themselves, breeders, and the community all at once.
Masonic Smoker (right) with his podcast cohost Comedy Store regular Frank Castillo at The Ego Clash Barcelona last month.
The turnout for year one was solid. Masonic estimates it was between 300 to 400 people, but he notes it’s kind of hard to remember the first one because the second was huge. More than doubling in size, Masonic estimates Free Seed Day 2022 saw 800 to 1,000 people participate.
With the exponential growth rate, we asked Masonic how many bodies he can realistically move through the shop during the festivities. He plans on having 1,000 bags ready to go. He estimates the value of those bags to be between $300 to $500 each. But don’t worry if you are person No. 1,001.
“There are probably five breeders hanging around at any given time. So if there’s an overspill of more than those 1,000 that I didn’t keep in mind, well, we don’t necessarily have like a whole bag for them, but there are free seeds there for you. And there’s a bag that we can put them in,” Masonic said with a laugh.
Free Seed Day 2021
While Masonic is trying to avoid having people line up too early this year, he understands the enthusiasm. The early bags for those who waited the longest will undoubtedly have some gems in them. Regardless, there will be plenty of love to go around even if you can’t do the whole urban camping experience.
“The reason for Free Comic Book Day is to kind of breathe a breath of fresh air into whatever storefront that they have, right? So in this case, the comic books that are for free are the seeds from Exotic and Bloom. The way that we pay for them in our case is like we go out of our way for like two weeks and we divvy them up. And we have the storefront to actually facilitate a free seed day,” Masonic noted, hoping folks might grab a T-shirt while they’re at the shop. He’s got something for all tax brackets.
THE ROAD TO LA STARTS: THE EMERALD CUP HARVEST BALL
The rain could not stop the heat at the second annual Emerald Cup Harvest Ball in Santa Rosa.
The event serves as the kickoff to cup season with the winners getting crowned in roughly six months in L.A. at the awards show. This weekend had traditionally served as the whole show for years, before the new format. The quests of farmers looking for next year’s hottest genetics, the chance to survey the harvest, and the awards show were all crammed into one action-packed weekend over 17 years that continued to get larger and larger.
With the awards show still months out, the weekend now focuses on the cannabis of the moment and seeds. The seed and genetics part can’t be overstated. In more recent years we’re even seeing tissue cuttings available for farmers terrified of the dreaded Hop Latent Viroid, commonly known as HLVd. Cuttings with HLVd have been the downfall of mega nurseries people were convinced were here to stay. But regardless of the high-tech stuff, the regular seeds and cuttings called clones are a huge part of the show.
We were reminded of this when we walked in the gate on Day One. Emerald Cup Competition Director Victoria Shea grabbed me out of line just before gates opened so I’d make it to the judges’ meet-and-greet on time. The public hadn’t even been allowed in yet and there were already lines at the Compound Genetics and Purple City Genetics Booths as their peers participating in the Harvest Ball queued up to get the latest and greatest genetics from both. That wave of people on the hunt would increase tenfold once the gates opened up.
And those who weren’t looking for cuts were looking for great cannabis or trying to convince people they had it; plenty did.
Our Favorites
Higher Heights from Comptche, California, had a lovely spread. The two standouts for us were the Carambola and the Purple Candy Cane. The Purple Candy Cane was a bit more complex on the nose.
Pacific Cultivation was another absolute banger spread for 2022. Everything came out awesome, but it would be criminal to not highlight the Hippie Crasher. The pairing of Kush Mints and Wedding Crasher was among the finest offerings at the whole harvest ball. The Caked Up Cherries was our second favorite from the Pacific Cultivation lineup.
Pacific Cultivation
Humboldt Seed Company had their new Jelly Donutz collaboration with Casa Flor on display. You could certainly smell the sugary goodness some people like to start their mornings with.
Moon Valley Cannabis’s Wine Country-grown pot also was pretty awesome. The standout for us was the Grapes and Cream, but the Zlurpy was very competitive, too. We could see people leaning in that direction for sure.
Moon Valley Cannabis
Bigfoot Cannabis Co’s rendition of Gelato 41 was stunning. It was one of our favorite versions we have ever seen that wasn’t indoor. The only one nicer won the Cannabis Cup in 2018.
Fidel’s spread was as top-class as to be expected. It included the KMZ that won the Transbay Challenge I hosted in Los Angeles this past August. The blend of Kush Mints and zkittelz is a flavor profile in its own league.
Fidels
One of the loudest jars of the day had to be the Garlotti from Good Good. Once you cracked it open, you were hit with an explosion of garlic terps so strong your eyes and sinuses might water up a bit. But don’t worry, that’s definitely a good thing.
Garlotti
Sun Roots Farm’s Velvet Papaya won the contest for the thing I think we’ll have the best shot of smoking in a hash format. The terp-loaded strain was said to produce a decent amount of the resin you need to make hash, which essentially is collected plant resin.
Numerous cannabis-related bills were filed in Sacramento this week.
There is still a lot of work to do to fix California’s cannabis industry as many hold on by a thread. That work is reflected in the annual wave of cannabis bills we see this time of year. 2023 will be no exception, as lawmakers look to cover everything from the expansion of the regulatory task force to where to put the tags on your plants.
Here are many of the bills we saw filed this week. There are a few more we’ll dive deeper into next week.
The main purpose of this bill is to expand the state’s cannabis task force. Currently, there is not a seat at the table for either the Civil Rights Department within the Business, Consumer Services, and Housing Agency or the Department of Industrial Relations within the Labor and Workforce Development Agency. These are essentially worker protection agencies that enforce civil rights laws when it comes to employment and housing access or push for a better quality of life and working conditions for the state’s labor force. The task force already includes The Department of Cannabis Control, CDTFA, the Department of Fish and Wildlife, the water board, CHP, The Labor and Workforce Development Agency, and the Department of Justice. It would also include representatives from municipalities that opt into the task force.
This bill would change the technical wording on how the mandated unique identifier can be attached to plants. The current language requires the tags to be attached at the base of the plant. This would make it easier for any going big. Some of the largest outdoor plants have literal tree trunks you have to saw; it’s better for the plant to attach it to one of those stems shooting off the side. So again, they’re just changing a few words around, but it makes sense.
This bill is dedicated to anyone who has ever had to call someone five times over an invoice. It’s meant to empower the legislator to set maximum terms by which someone can sell cannabis on credit, create penalties and a course of action for the failure to pay invoices on time, and empower the DCC with the powers needed to ensure timely payments throughout the supply chain.
This bill would crack down on people attempting to falsely represent cannabis products as licensed. Specifically, it emphasizes, the use of the cannabis universal symbol to push unlicensed products could cost you up to $30,000. While using the symbol was noted given how prolific it’s been on unlicensed cannabis packaging, any claim or representation of a product as licensed cannabis that’s not could land you in hot water. The good news? If you have a permit, you’ll only be charged $5,000 for pretending something was legit, meaning there is an argument to go legal just for the sake of discounted fines.
This bill on the surface seems pretty straightforward in blocking appointees from the governor from taking part in the industry but, in fact, could possibly hinder the efforts to save California cannabis. Prop 64 prevents the DCC director and members of the Cannabis Control Appeals Panel from engaging in certain cannabis activities. The effort to add appointees to the list could prevent actual experts that have been successful in California’s industry from coming in and helping to fix things. Would you want someone that knows how to run a thousand lights trying to help save the day or a random political appointee in compliance with AB-1111?
This bill would have the DCC reevaluate packaging regulations based on evolving science. The DCC would have to determine by July of 2025 if the current standards are still up to the task. As of January 2030, they’d have to reevaluate any changes to determine if any new concerns based on science need to also be added to packaging. The bill would also require the DCC to form an advisory committee dedicated to this subject of evolving label accuracy in the years to come.
Filed earlier this week, AB 741 would prohibit the California FAIR Plan Association from refusing to issue, canceling, or refusing to renew coverage over an applicant or policyholder possessing or previously possessed a legal amount of cannabis. Regardless of whether it was flowers, hash, or living cannabis plants, or because the applicant or policyholder had ever had a commercial cannabis licensee.
Keep an eye out for more coverage of cannabis bills coming out of Sacramento this year.
We talked with Jim Belushi ahead of the third season of Growing Belushi as he looks to take the brand international.
The third season will also be the biggest run for the series yet with Discovery doubling the order to six episodes after a 30% jump in rating from Season 1 to 2. It makes sense, there are plenty of things to talk about in the cannabis industry at the moment, both foreign and Domestic. Belushi told L.A. Weekly should things go well, they have the footage for a couple more episodes.
Some regulars who will be tagging along and making appearances on this season’s tale of survival and expansion include Dan Aykroyd, cousin Chris and Larry Joe Campbell.
Belushi is excited.
“We’re on Wednesday night! And we are following Moonshiners. So it’s like, grab your illegal whiskey and grab your legal weed and it’s go for the evening,” Belushi told L.A. Weekly. “Third season, it’s going a little more national and global. I’m really taking it from the little flower to going to see what’s going on in the national picture.”
After the first two seasons at his cannabis farm, Belushi is excited about how far and wide they went for the latest installments of the series. Production saw the team visit 14 states and three countries, including Canada and Albania.
Belushi really enjoyed his time diving into the Albanian scene.
“It’s beautiful. They’re building it. It’s incredible what’s going on in that country. It’s gonna be the new resort area for tourism, and tourism is just skyrocketing because the prices are really great. The food is great. It’s a very young crowd there,” Belushi said. “They’re very curious about expanding medical cannabis for export there, and I know the Prime Minister and Albania, and he wanted to pick my brain.”
Belushi explained part of this season is him letting his ego get the best of him. Hence the call for expansion and international market domination, the latter probably mostly a joke, but rooted in high hopes.
We asked Belushi what it’s like to shoot in this more touring style compared to sharing his personal trials at the farm.
“Oh, well, there are a lot of personal trials,” Belushi replied. “That’s the whole point, like national expansion isn’t that easy with every state having different compliance, different rules and some are medical states, some are recreational states. So that’s what we can explore a little bit.”
We asked Belushi what going national meant to him. Was it licensing intellectual property? Setting up gardens in other states?
“Lot of it is licensing. But vetting out the growers and the companies,” Belushi explained. “We got a great opportunity and Shelbyville, Illinois, taking over indoor grow that was a charity grow, all the profits go to charity. And we are taking that over and actually kind of doing like a Bar Rescue of like going into this girl upgrading everything and it becomes a Belushi Farms in Illinois. So we’re going to be growing in Illinois. We’re growing in Oregon and we’re licensing other places, other states, and possibly growing in Albania.”
Keep an eye out for new episodes of Growing Belushi starting Wednesday, April 5.
The nearly decade-long battle to get American veterans access to medical cannabis continued on Capitol Hill this week.
With the exception of seeing little kids with extreme forms of epilepsy like Dravet’s Syndrome, nothing went further in changing the national conversation around medical cannabis than supporting vets with Post Traumatic Stress Disorder. This movement was a direct result of first-hand experiences with medical cannabis safety and efficacy when it came to PTSD, as more veterans continue to take their own lives. In its own 2017 study on cannabis and PTSD, the Department of Veterans Affairs (VA) noted over one-third of patients seeking cannabis for medical purposes list PTSD as the primary reason for the request, and 15% of VA patients at outpatient clinics are using medical cannabis in the last six months.
Cannabis Caucus founder Rep. Earl Blumenauer picked the fight up this week, to get vets access to cannabis. He originally started pushing the effort in 2014. In 2016, things looked great, but the language ended up getting stripped in final negotiations by then-Illinois Senator Mark Kirk.
At the time, Blumenauer noted, “It’s incredibly frustrating and disappointing that despite broad bipartisan, bicameral support, a handful of out-of-touch lawmakers put politics over the well-being of America’s wounded warriors. Our veterans deserve better. We will continue to seek every opportunity to make sure they have fair and equal treatment and the ability to consult with, and seek a recommendation from, their personal VA physician about medical marijuana.”
But things are looking up. On Wednesday, Blumenauer passed an amendment to end the VA’s prohibition on providers assisting veterans in accessing state-legal medical cannabis. Not only did it pass, it passed unanimously in a voice vote. In this heavily divided Congress, surely that is a reasonable sign of how bipartisan supporting veterans is.
After the amendment passed on Wednesday, Blumenauer told L.A. Weekly,
“Veterans in Oregon and across the country have shared with me how medical cannabis has literally saved their lives. It is a gross injustice that the VA continues to prohibit its providers from helping veterans access medical cannabis. My amendment with Brian Mast would finally allow the VA to help veterans complete forms in compliance with state-legal cannabis programs, allowing them to access a far less addictive alternative to opioids in managing PTSD, anxiety, depression, and other chronic conditions.”
Blumenauer also came out against the VA’s move to strongly advocate against medical cannabis as a treatment for PTSD this week. This recommendation came despite the VA noting some participants from its own focus groups, “spoke about the benefits of newer pharmacologic treatments (e.g., ketamine) and were interested in exploring other newer treatments such as psilocybin, cannabis, LSD, and other psychedelics.”
The VA cited that same 2017 study we mentioned before when it came out strongly against using cannabis for PTSD. But that study’s own authors noted there are very few methodologically rigorous studies examining the effects of cannabis in patients with PTSD.
“We found only two observational studies, which suggest that cannabis is potentially associated with neutral effects on PTSD or depression symptom severity, and employment status, and negative effects in terms of violent behavior, drug and alcohol abuse, and suicidal ideation,” the authors noted in their findings. “However, the strength of evidence is rated as insufficient due to the potential for bias in the two included studies in this review and the small number of controlled studies reporting data on benefits and harms of cannabis for treating PTSD symptoms.”
So how can something that notes how limited the information being used is be the ethos for the VA’s prohibition on medical cannabis for PTSD? And with all the discussion around vets and cannabis, how is this still what they are citing in the debate all these years later? How has the VA not pushed this research further in that time period?
In a letter to the VA’s leadership, Blunenauer said, “The Departments of Veterans Affairs and Defense have a long history of claiming the best interest of our veterans and servicemembers only to deny the reality of medical marijuana as a key treatment option for those impacted by post-traumatic stress disorder.”
Blumenauer went on to note the updated June 2023 VA/DoD Clinical Practice Guideline for Management of PTSD perpetuates this misguided denial of services to our nation’s veterans.
“For decades, I have heard from veterans across the country that medical cannabis has been a life-saving treatment for PTSD,” Blumensauer told the VA and DOD leadership. “I urge you to reconsider the antiquated and insufficient recommendation against the use of cannabis or cannabis derivatives in treating patients with PTSD.”
Etienne Fontan of Berkeley Patients Group and Veterans Action Council was pleased with Blumenauer’s success.
“We want to thank Blumeneur and the Cannabis Caucus for keeping true to their words to help veterans gain cannabis access via the VA. Many politicians talk a lot of talk, but very few walk the line like they have for us. We are grateful for their continued support on this issue,” Fontan told L.A. Weekly, “This has been the work of many hands and organizations to get us to this point, and we are not across the line yet. This is a significant first step in the direction that many veterans want to see nationwide. It must still get through the House, and the President must sign it, and we will remain skeptical until the process plays out fully.”
Fontan closed by noting activists have been disappointed too many times in the past with promises that never see fruition.
We’re catching up with one of the biggest hitters in California, as she continues to spread her SoCal footprint, Anna Willey of CAM.
Willey is about as famed a female minority legacy operator as it gets. She got her start as a child on the underground NYC delivery scene. Eventually, she would open one of the most popular shops in Colorado. But she knew if she really wanted to crush it long-term, she’d have to move to California. After a short stint in the bay, she’d landed in Sacramento. From there, she coordinates CAM’s statewide growth.
She’s proud to be where she’s at, but you won’t hear her tooting her own horn much, as she surveys the devastation in the cannabis industry.
“Well, I think that it’s a really, really hard time for legacy operators,” Willey told L.A. Weekly. “There’s so much pride in saying we’re going to bootstrap it and do it on our own.”
But it’s a different time. Running houses and small warehouses was dope. But to start partaking in the economy of scale as cannabis continues to grow, you’re going to be able to need to access funding.
“When you’re talking to investors. I don’t think people have to mention that oh, by the way, you’ll be giving 62% away to the state, federal and local governments,” Willey said. “So I think that you kind of just got a warehouse and got to lease wherever you could. But you know, 4% tax, I mean, these are just huge. This is like what usual normal business it would make to survive.”
Willey with Hudson from Airfield Supply
But bootstrapping is possible with the heat. She pointed to No Till Kings and Fig Farms as great examples. She emphasized that all of these companies took some risks and owners figured out some parts of the businesses that they might have not been that great in, that sole person, and kind of built a team around people that are good as those parts of the business.
Our conversation turned to the lack of middle ground in cannabis right now. Sometimes it feels like everyone is either crushing or closing. She believes there should have been a lot more room to be successful in the middle of the pack.
“Yeah, maybe they’re not like knocking out of the park, but they’re doing what they love. They’re putting out a great product. They’re paying their people, they’re putting food on the table, and they’re doing it as a community,” Willey said, “It’s heartbreaking to watch that smaller farms maybe not have the opportunity to be around next year; it is really, really sad.”
There weren’t a lot of women in cannabis, and when Willey got started there weren’t a lot of brown people either, given the targeted enforcement they faced over cannabis. Especially in her hometown of NYC prior to legalization, just look at all the ACLU data from over the years.
But times have changed a lot. We asked Willey if she thought it was easier for a person like her to get in the game now than when she first did.
“I think that I think for women and for minorities or for anyone that I think it’s, I think it’s getting easier, and it’s getting better than it ever has been,” she replied. “I will say that there’s so much opportunity for people that want it. And I didn’t think it was that bad then either. So I think I’m always looking at it from the perspective of a kind of work ethic.”
Willey emphasized to farms that are struggling that whatever you can do to stay in business for another year is going to give you the best opportunity to win. She said you never know what’s right around the corner, just look how many people the COVID boom helped keep afloat.
We asked Willey when she first got the chance to do business with women that looked like her.
“I would honestly say not until I came to California. In Colorado, it was my fellow peers, dudes. I think that there are a lot of home-growers in Colorado that kind of either cobble together a couple of bucks or did it with their friends and opened up a shop. It was a lot more peer-oriented than it is now,” Willey said.
Keep an eye out for CAM flowers all over SoCal. It’s some of the best bang for the buck in the state and absolute heat. My favorite at the moment is the Biscotti BX1, but the Kush Mints has won a lot of stuff.
THE LEGEND OF ZELDA: TEARS OF THE KINGDOM LIVES UP TO THE MASSIVE HYPE
Link’s latest adventures in The Legend of Zelda: Tears of The Kingdom (TOTK) are everything we were waiting for.
The game has proven a roaring international hit. One common phrase often seen across social media in the past two weeks since the launch is the idea that Breath of The Wild, Zelda’s previous foray on Nintendo’s Switch when the system launched, almost feels like a beta version of what we ended up with in TOTK. How wild is it to call a game that went on to sell 30 million copies since and win a ton of awards a beta test? But it honestly feels kind of accurate with how much TOTK built on the last version of Hyrule we visited six years ago.
The Legacy of Zelda Enthusiasm
There are few dates on the video game calendar that get circled with more enthusiasm than a new Zelda game. Since the first one dropped in 1987, its raving fan base has always wondered what would be next for the franchise that often served with Super Mario Brothers as a flagship game that showed off the capabilities of Nintendo’s hardware from generation to generation. Zelda’s creators Shigeru Miyamoto and Takashi Tezuka were a part of both famous franchises. While it doesn’t quite serve that role in the same fashion given Nintendo has now allowed many more developers to publish games for their hardware in the Switch era, Zelda still very much serves as the benchmark for how much fun you can have on the Switch.
Zelda has turned down the cartoon style from 20 years ago. But the current look and feel still have a very anime feel that looks a lot cleaner than Wind Walker released in 2002. But 2006’s Twilight Princess feels much more similar to what the game looks like today. The modern version feels a lot brighter and more fun, like the way the lava pops with bright red and orange bubbles.
Miyamoto explained some of the thought processes they had as Zelda continued to transition into the 3D format in the 2000s. He noted part of the reason they went for the cartoon look was it made it easier to show expression in the characters. He also wanted it to feel like you were playing a cartoon in 3D, they definitely aced that test.
Breath of The Wild provided a lot of the building blocks for this new sequel on the same generation of hardware six years later. In an interview with Game Informer, Miyamoto noted one of the big jumps as Zelda made the move to the Switch was the nature engine. Exploration has always been a significant backbone of the fun in the play-it-at-your-pace game where you can toss around chickens or make a speed run for the master sword.
“Adventuring and exploring nature is what makes the game,” Miyamoto told Game Informer when the game launched. “I had to relook at what dungeons look like for us and kind of take it out of the dungeon. We spent five years kind of working on that.”
Miyamoto admitted he himself likes the open-world aspect of players creating their own adventures across the storyline over the years but understands there are folks out there that like those deep storylines with a lot of backstories. He thinks this modern generation of Zelda games has done a good job balancing the two.
The Tears of The Kingdom Launch
Over the past few weeks, the world has now had a moment to dive into Hyrule. But the months and years leading up to this moment had a bit of mystery to them. Regardless, once the game hit shelves, it was on.
In just three days, it became the fastest-selling Zelda game of all time. Ten million units moved globally in that first 72 hours, 4 million of them here in North America. That makes it the fastest-selling Nintendo game ever on any system in North America according to Nintendo. A major achievement for the game’s creators.
“Many players are returning to Hyrule with all its new mysteries and possibilities, and with the record-breaking launch of The Legend of Zelda: Tears of the Kingdom for Nintendo Switch, we can’t wait to see what they’ll create in the game and the stories they’ll share next,” said Devon Pritchard, Nintendo of America’s executive vice president of sales, marketing and communications. “We’re grateful for all of our fans who’ve shown their passion for The Legend of Zelda over the years, and these sales numbers for the latest installment continue to show the strong momentum for both the franchise and Nintendo Switch this year.”
Reviews and Livestreams Pumped The Hype
One of the things that helped the massive launch was just how positive all the reviews were. It’s currently sitting at a 95 on Metacritic, the most noted aggregator of video game reviews by a mile. That score puts it as the 49th greatest game of all time per their review system. While 22 other games in history have scored a 95 on the site, TOTK ranks No. 1 one among those games that have scored a 95 since the website was founded over 20 years ago.
Zelda’s 1998 edition Orcana of Time is the number one game of all time on Metacritic as the only game ever to score a 99. The last installment on Switch, Breath of The Wild, ranks No. 14 on the all-time list with the Wii U version coming in No. 26. Twilight Princess is No. 39, and The Wind Walker is No. 44. There are a few on the list after TOTK also. The Gamecube Collectors edition from 2003 came in at No. 54. The Game Boy Advance edition of A Link to The Past came in at No. 59 with Majora’s Mask right behind it at No. 60. Twilight Princess is two spots later at No. 62. A 3DS version also made it. With the TOTK’s reviews getting added to this all-time list, basically one in 10 of the top-reviewed video games of all time on Metacritic is a Zelda game, if you count the two versions of Breath of The Wild as one.
“The fandom behind the Zelda franchise is stronger than ever and to date, Tears of the Kingdom is the best reviewed game of 2023 on Metacritic,” Marc Doyle, Co-Founder of Metacritic told L.A. Weekly. “In fact, it currently ranks in the top 50 games of all time and the number four Zelda game to ever be released.”
We asked Polygon Senior Reporter Nicole Carpenter if she thought the game got scored tougher by critics as a direct sequel.
“I don’t necessarily think it got scored harder, but Breath of the Wild did have a major impact on the industry so there was an expectation for what Tears of the Kingdom would be. The bar was already set high and people expected Tears of the Kingdom to jump over that bar,” Carpenter told L.A. Weekly, “The game sold 10 million copies in a few days so it’s definitely up there for the biggest game of the year. Beyond that, Tears of the Kingdom will be one of most influential games of the year.”
Another thing the newer generation of Zelda games has had play to its favor is the rise of online streaming. The launch has been a hit. According to TwitchTracker.com, over the last week, people have spent 8 million hours watching other people play the game and the streams averaged about 50,000 people watching at any given time. Things peaked on May 11 when 351,714 users were simultaneously watching TOTK streams.
50 Hours In
What?! The Great Deku Tree has a stomachache again?! Sign me up. That’s not even a spoiler at this point, it’s presumable Hyrule’s bad guys at any given moment have had an impact on his acid reflux. Those kinds of expectations are one of the things that have made the series great. Each time we go back, the little things we love are done even better.
We are about 50 hours in. I’ve completed the Wind Temple but have predominantly spent most of my time exploring. I’ve hit about 35 Shrines so far in the process of building up hearts for the main storyline. One of the reasons I’ve hit so many shrines early is because of how fun the new gameplay mechanics make them. The massive refreshing of all the minigames makes each one feel very unique.
Those four new core gameplay mechanics are called Fuse, Ultrahand, Ascend and Recall. Fuse lets you attach objects from the world to each other or your hand after you use Ultrahand to move them around. You’ll use a combination of those powers and the world around you all the time to upgrade your weapons, solve puzzles and even build vehicles.
Ascend adds another vertical element of gameplay in addition to the massive sky map that covers the whole game from above. It allows you to climb through ceilings within reach of the ability and emerge through the floor on the other side.
Recall allows you to move objects and then recreate that object’s movement through time. Say a rock falls down a waterfall you want to go up, you hit the rock with recall and ride it up the waterfall. There are some wild uses for one when it comes to all the puzzles.
There also is a ton of wild physics mechanics attached to the main storyline. As you dive further and further in, you’ll get access to an even wider array of tools to combine with the Ultrahand and Fuse abilities.
With all that, and what feels like triple the game compared to Breath of The Wild, I think the only reason TOTK isn’t higher on the all-time list is that it’s a direct sequel. Regardless, it’s one of the best games ever.
Photos courtesy CAM
